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Post by Miska on Nov 1, 2015 15:23:58 GMT
www.youtube.com/watch?v=kf8lZOD-bQM I am sure we all know the song~ If your character is included in the song, what specific scene from his/her past life would you see him/her in? It can be his/her most pivotal moments that history cherishes, or even a mundane situation that, after your research into the character, found it symbolizes his/her life perfectly. Just describe in details and the reason behind it for us to imagine, please!*** Since I think have to start it… Miska doesn’t have a past life (and the current life before Chaldea is uninteresting). But a perfect scene would be like this:
It is a close-up view of a red-haired, bespectacled young man and an even younger lady with long, thick black hair. The lady is sitting upright with her back against the head of a hospital bed, cradling a red-haired baby with her right hand. She is wearing a grey patient’s gown, with a similarly grey blanket covering her until her chest. The warm lighting obscured the lady’s face, but it is clear that she is smiling lovingly towards the baby, even though her face is ashen pale and looks very weak. The red-haired man on her right is obviously just finished crying. His eyes is still watery, but he looks down at the baby with the same loving smile as his wife. He is wearing a similar grey outfit like the lady, but one that is reserved for visitors. One of his hand is around the woman’s shoulder while the other hand is playfully tickling the baby’s round cheek. On the left of the lady, a tall window shows a northern tree with leaves turning gold. It is early autumn morning.
For Miska, this is the last moment with a complete parents. Miska’s mother passed away soon after from birth complications, so this scene is likely the one most cherished by Miska.
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Post by Hans on Nov 4, 2015 23:09:26 GMT
Something about Hans' actual childhood:
A snow-dotted field, with a big hazel tree centered in the middle of the picture. It's branches grow quite thick, and because there are hardly any leaves on them you can notice a small person sitting on top of one. His back against the trunk, his face isn't quite visible but he seems to be quickly scribbling down text in a stack of paper sheets. He appears quite giddy about it, but he releases the filled-out pages from his grasp the moment he's done writing them, letting them fall through the airs below and unto the wet grass ground. It's almost like he doesn't care to retain the fruits of his work at all. The sun shines through the clouds, making the leaf-blades gleam.
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Post by Percival on Nov 20, 2015 21:01:02 GMT
Here's my shot at Percival's:
Two knightly figures, Sirs Galahad and Bors, with looks of awe and reverence towards something just out of sight, spilling forth a golden, holy light upon their features. They are walking toward it slowly, hesitantly as though it were an illusion that might disappear if they reached out to grasp it. Just behind them, the youngest knight of their company follows in their footsteps, looking slightly out of place. His body faces towards the Grail the three have sought, but his face is slightly turned, his eyes glancing at an apparition that only he seemingly sees, a young girl with features similar to his, her skin pale and lifeless. His eyes tell of two great emotions battling within him: deep regret at what was lost, and desperate hope that what was gained was worth its price.
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Post by Baba Yaga on Jan 24, 2016 19:51:52 GMT
A warm fire cackled at the young lady's feet. She whistled softly as she brushed the dust aside from her home. It was easy to enchant the broom to do the chores, but when you live alone, time and boredom are a-plenty. There was no light in the house other than the raging hearth and soft screams echoed from her cabinets. Music to her ears. As she brushed out the last piles of dust, feeble rays of sunlight dropped gently on her yard. She put it aside and stared at the high trees that nearly blocked the sky. She was about the curse the trees to actually do their job and give her the darkness she wanted, when a small shriek caught her attention. Human, young and hurt was all she could discern. As if reacting to her mischievous grin, the house sprouted two bird like legs as it shrank to the size a doll's house. The door slowly closed in front of her, creaking with dramatic intent.
It's going to be a fun day after all.
Russian Grandma wasn't always old, but she was damn evil from the start.
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Post by ROBIN on Jan 24, 2016 22:51:16 GMT
this is a really awesome thread idea, it's a shame so few people have posted in it, but I definitely know what Robert's would be.
The picture has Robert standing slap in the middle of everything, a simple black line bisecting him exactly in half. On both sides, it appears that he's standing in a forest clearing, but each side has the forest in a completely different condition. To his left, he's surrounded by men, most of them indistinguishable but clad in green nonetheless, with the forest stretching out to the edge of the picture. It's leafy and green and beautiful, seeming to be the very picture of nature. To his right, the forest is dead - Black, weathered corpses that used to be trees surround him, with intense flames licking at every inch of the area. The masses of people who were there before are replaced by only five, but those five stand in the same positions as their counterparts do in the left side of the frame.
Where Will Scarlet stands, he is mirrored on the right side by EMIYA; Where Much stands, he is mirrored on the right side by Jeanne D'arc. Where Little John stands, he is mirrored by Shiro Amakusa. But where Maid Marion stands, a strange girl dressed in a cloak with a few beads of golden hair stands, her hair beginning to fall out of the cloak. The scene slowly pans out as it appears that men dressed in black armor are approaching, though who they are and what they want is left nebulous.
This scene would mirror his life as Robin Hood vs his life as ROBIN, the hero of the people vs the Counter-Guardian. His features are hidden as he's facing away from the camera, leaving how he feels about both sides of his life just as nebulous as who's coming to attack them.
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Post by Gráinne on Jan 31, 2016 17:15:23 GMT
I'm not going to say that I've wanted to try this out for ages now, but I totally have.
The picture vaguely takes place in three parts, the scene is the old library in her family's home in Dundalk. An elaborate looking room full of the myths and legends of the country, books on magical theory and all sorts of ancient tomes. Three girls of different ages stand in the library. The first figure is a little girl, scouring a particular shelf for a book, all sunshine, ribbons and everything else associated with girlhood her small hand is outstretched towards the Táin Bó Cúailnge. Her face is hidden as she turns to an off screen figure, most likely her father but her excitement is clear all the same. The little girl's faded, almost transparent. It's a distant memory after all, but a fond one all the same. By the large, ornate table a teenager clad in black sits down, a pile of books on either side of her as she continues to read the Táin for what must be the tenth time, at least. The expression on her face is sombre. Clearly, she's supposed to be doing something else but her eyes are focused on the epic instead, staring at it with an intensity few can muster. But she's a gradually fading memory compared to the adult woman at the other side of the library. Clad in jeans and a nondescript shirt, she's so much more tangible and vivid than the transparent little girl and opaque half mourning teen. The familiar book, immaculate despite the years of reading is on the side of the plush couch, along with dozens of others and a bottle of brandy. The woman is obviously heading out but her head is still turned towards the book, staring at it fondly with tired eyes. Just a final lingering glance before she leaves.
I'm not saying it's split into three because the whole 'the number three is sacred' or 'yo triple goddesses were a thing in Celtic mythology' thing or anything, but it like half is. The other reason is because I'm literally the most indecisive person ever. But yeah, the hero worshiping started young with this one. And it's probably not going to stop any time soon.
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Post by signy on Apr 26, 2016 21:49:25 GMT
*I’ll try this about Grimhildr too. ***
The scene is a Nordic Wedding Feast, held in a large wooden mead hall.
Several rows of long tables were placed in a slightly imperfect line. The two hollow window frames on the left and right edge showed it was pitch black outside, so it can be assumed that it was held during the night. But inside the building merriment was very much alive. There were many Nordic warriors and their wives lining each side of the tables. Their clothes were not uniform, but they were all the same. Furry and fierce. Yet their ragged face did not show fierceness at all right now. Instead they were laughing. Eyes glittering, some was cheering with mouth open. All of them did not look at each other nor to the untouched trays of food in front of them, instead they all looked in unison towards the edge of the tables, on top of the scene for us. All of their hands were holding a glass in good cheer as they turned in salute.
There, stretching from the left to right was a single wooden table, similar yet a little more elegant the other tables perpendicular to them we have seen. It was clear that this was the table of the leaders. Flanking the scene on left to right were all male warriors that were generally older than the first ones. They each faced the tables described earlier, so their face was clear to see. Their clothes look more refined, but they also bore more scars. They, too, had their glass raised while turning slightly to the ones in the middle of them. It was right in the moment of grandest cheer. One could easily imagine the noise and joviality the people made with their salute. Joy. Happiness. Celebration was in the air.
Sitting in the middle of the better table, flanked on their left and right by the more veteran warriors, were eight most important people in the room. Like the warriors on their left and right their faces were also clear to see. Their order, from left to right as we see it, were:
The leftmost one was a handsome young man with princely bearings. He had a crown shaped like leaves on his head. His beard was kept small, his clothes armor-like. His eyes were fierce, and he surely would have frighten anyone in battle. But tonight he was happy. He held his glass in salute towards his left.
On his left side (our right) was an older man who looked quite similar with the young man. His father. He had a robust beard and his hair was beginning to whiten. Like his son he also wore a crown shaped like leaves, but it was larger in comparison. He wore a long expensive mantle with golden belt, and out of his long sleeves his right hand emerged, many rings on his thick fingers. He also turned to his left with his glass raised, giving his salute.
Next to the right was a stunningly beautiful woman with long silvery hair that sparkled like stars. In this room lit with hundreds of candles, her radiance beat them all like a full moon did the stars. Her face looked like she was destined to be sad all the time, but there was a wide, loving smile there now. Like her father and brother she wore a crown shaped like leaves, smaller than the young prince. Her dress was purple in color and very beautiful. The lines of her slender shoulders, the ones we could see not covered by the table, were lovely. She had her head turned to her left with a loving gaze. Both of her hands, with a ring, were holding the right hand of a man on her left (our right) in a tight grasp.
The man whose hand she was holding was a handsome young man, with all the regal appearance of a crown prince. His red hair was neat, capped with a golden crown. His beard trimmed handsomely, and his eyes were closed as he laughed in happiness. The robe he wore was the most extravagant one in the whole room, with fur-trimmed collar and golden sash. His body was thick and manly, as were his arms. His left hand was held by the silvery woman, whom his head was turned to. But his other arm was encircling the shoulders of the woman on the right of him. He did not hold any goblet in salute.
The one on the right of him was a beautiful young woman, with hair and face quite similar to the young man who was encircling his arms around her shoulders, her brother. While the first woman, the silvery one, had a look of eternal sadness, this princess had all the quality of happiness. Her face was shining, pretty like the dawn, and her long redhair was braided beautifully along the golden crown she wore. It seemed like her hair was an alluring waterfall. Her robe was golden in color, with ornate decorations, and the lines of her shoulders were blindingly white. Her face and all her concentration was focused on a man sitting on her left (our right). Her expression was one of pure love, pure happiness and joy. Both of her hands were tauted to the man’s hands.
The next one was a young man with white hair, but different from the color of the silvery woman in purple. He wore a set of clothes not unlike an armor, although it was adorned for ceremony. Unlike the first four, he did not wear any crowns. The lines on his face showed that he was usually cold, but in this scene he was brimming with smile. Both of his hands were tauted with the sunny woman as he turned his face lovingly towards her.
The second one from rightmost was a red-haired old man, with face quite similar to the crown prince and the red-haired sunny woman. He was their father. Streaks of grey hair had already adorned his head, although somewhat hidden by the golden crown he wore. His beard was long and neat. He wore layered mantle with gold trimmings that covered his aged but still muscled body. His left hand was raised in salute, holding a goblet as he turned towards his left.
And the last one, the rightmost one near the rightmost group of veteran soldiers, was a woman with a stately figure. She was regal. Her features were sharp; Cold and beautiful like a marble statue. She had looks that can only be said as bewitching. Her clothes was as extravagant as the king before her, with white-dominated color, and it accentuated her figure further spreading her allure. She had calculating blue eyes that were now turned towards the people on her right (our left). Her hair was short with bluish-white color, almost like the color of the air if ever air had one. The slender fingers of her right hand were encircling around a goblet she was raising in salute. There was a hint of sadness in her gesture, but she was smiling nonetheless, thoroughly enjoying the moment. As our camera moves we can see that it shifts from the center and zooms toward the stately woman before the scene fades.
***
This scene was, of course, the celebratory feast for the double wedding of Brynhildr-Gunnar and Sigurd-Gudrun. The warriors on the rows and tables were the Burgundiands and their wives. The veteran warriors on the single long table were the Hunnic and Burgundians King's Retinue, respectively. The first of the main characters from the left was Prince Atli, his father King Budli, Atli’s sister Princess Brynhildr who was being married to Prince Gunnar. Then it was Princess Gudrun, holding the hands of the Dragonslayer Sigurd. Further to the right was King Gjuki, father to both Gunnar and Gudrun. And the rightmost one, enjoying the fruits of her labor, was the mighty sorceress and wise-woman Grimhildr. This is one of Grimhildr’s crowning achievement in her long life and presence in multiple king’s court. She, just like Brynhildr, had prophesied of what would happen, but she let it unfold just to see the smile on Gunnar and Gudrun’s face. Whatever the Witch of Spiders turned out to be, she did love the two children.
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